Military Songs Inspire Troops, Preserve Tradition
Each branch of the U.S. Armed Forces maintains its own military marching band to
inspire troops and preserve tradition. Though they now serve ceremonial functions,
these bands were once an integral element on the battlefield. To increase the morale
and courage of the men, bands would march in front of formations as they entered
battle. Yet, as the number of musicians dwindled, commanders delegated marching
bands to the rear of the formation, behind the combat-ready troops. Today, bands are
no longer involved in armed conflict, but continue to inspire troops through song or
hymn that represent the individual histories and traditions of America’s Armed Forces.
“The Army Goes Rolling Along”
Before “The Caisson Song” was adopted as the official
tune of the U.S. Army, it was the proud anthem of the
U.S. Field Artillery Corps. During a long march in the
Philippines, Lieutenant Edmund L. “Snitz” Gruber
overheard an officer roar “Come on! Keep ‘em Rolling!”
Gruber, whose relative, Franz, composed the Christmas
Song “Silent Night,” was suddenly inspired and that night
wrote the now-famous melody. Fellow soldiers helped
with the lyrics and in almost no time, all six regiments of
the U.S. Field Artillery had adopted “The Caisson Song”
as a popular marching tune.
During the last days of World War I, senior artillery leaders wanted to make “The
Caisson Song” official, and mistaking the piece as composed during the Civil War,
allowed bandmaster John Phillip Sousa to incorporate most of the song into his own
composition “The U.S. Field Artillery March.” The song became a chart-topper during
World War I, selling 750,000 copies. Discovering Gruber actually wrote the melody, an
embarrassed but innocent Sousa made certain Gruber received his royalties. In 1948,
the Army held a nationwide contest to find an official song. After four years of
unsuccessful results and nearly 800 submitted scores, the Adjunct General’s office
decided to recycle “The Caisson Song.” H.W. Arberg arranged the U.S. Army song,
naming it “The Army Goes Rolling Along.” The Army copyrighted the song in 1956.
The “Marines’ Hymn”
An unlikely venue hosted the debut of a tune many now
associate with the Marines’ Hymn. In the city of Paris,
France, Jacques Offenbach (1819-1880) wrote and
conducted opera and opera-bouffe (comic and farcical
opera). Most believe the melody of the Marines’ Hymn
was, in fact, taken from an aria in “Genevieve de
Brabant” composed by Offenbach. This tune was
morphed to fit the now famous lines “From the Halls of
Montezuma, To the Shores of Tripoli.”
According to tradition, an officer wrote the first verse of
the Hymn on duty in the Mexican War (1846-1848).
Meant to highlight the various campaigns of the Marines, the unknown author edited the
words from the Marines’ colors and added them to Offenbach’s melody. Continuing the
custom, every campaign the Marines participate in gives birth to a new, unofficial verse.
Copyright ownership of the Marines’ Hymn was vested to the U.S. Marine Corps in
1991, although its first use as the Marines’ official anthem was in 1929.
U.S. Navy “Anchors Aweigh”
In an attempt to write a catchy tune to rally the Naval
Academy’s football team, “Anchors Aweigh” was born.
Lieutenant Charles A. Zimmerman, the U.S. Navy
bandmaster from 1887 to 1916, started the practice of
composing a march for each graduating class.
However, none of these tunes really caught on. In 1906,
Zimmerman was approached by Midshipman Alfred Hart
Miles to write a “piece of music that would be inspiring,
one with swing to it so it could be used as a football
marching song, and one that would live forever.”
Together, Zimmerman and Hart composed the tune and
lyrics that became “Anchors Aweigh,” dedicated to the class of 1907. The new fight
song indeed propelled Navy to a win that year over Army. The march was subsequently
adopted as the official Navy song and continues to inspire classes of Naval Academy
Midshipmen.
“The U.S. Air Force”
In 1938, the Army Air Corps decided they needed an
official song. Liberty Magazine sponsored a contest
whereby 757 scores were submitted. Of those, one
written by Robert Crawford was selected by a committee
of Air Corps wives and officially introduced at the
Cleveland Air Races in 1939. Crawford himself sang it
in its first public performance. When the Army Air Corps
became a separate branch of the military in 1947,
Crawford’s march changed names from “The Army Air
Corps” to the “U.S. Air Force.”
Since that time, the first line of “Nothing’ll Stop the U.S.
Air Force” became a motto and tradition. On July 30, 1971, the original first page
submitted by Robert Crawford in 1939 was carried into space in the Apollo 15 “Falcon”
and broadcast to the world by Major Alfred W. Worden, who had a tape recorder aboard
the “Endeavor” command module. The “All-Air Force” crew arranged to take the sheet
music with them as a tribute to Crawford and the U.S. Air Force.
The U.S. Coast Guard and “Semper Paratus”
The Coast Guard’s motto of Semper Paratus or “always
ready” was officially recognized in 1910, and thenceforth
appeared on the ensign. However, no one really knows
how Semper Paratus was chosen as the Coast Guard’s
“phrase” and watchword prior to its formal acceptance.
Whatever the case, in 1922, Captain Francis S. Van
Boskerck was inspired to write an official U.S. Coast
Guard song that would rival “Anchor’s Aweigh” or “The
Caisson Song.” While in the cabin of his cutter
Yamacraw, which was stationed in Savannah, Ga.,
Boskerck put pen to paper and the lyrics for “Semper
Paratus” were born. Five years later, while stationed in the Aleutian Islands, Boskerck
composed the accompanying music on a dilapidated old piano in Unalaska, Alaska. The
geographically diverse origins of this piece are fittingly illustrated in the song’s first line
“From Aztec shore to Arctic Zone, To Europe and Far East…” Semper Paratus remains
the proud standard and song of the United States Coast Guard.